On summer of 1985, Bulatović left the band, being temporarily replaced by Disciplina Kičme drummer Nenad "Kele" Krasovac, and in December, the band ceased to exist.įor a short period of time, Antonijević performed with the band Plaćenici, after which Partibrejkers were reformed in a new lineup, featuring a former Plaćenici drummer Vlada Funtek and former Radost Evrope bassist Dime Todorov "Mune". Despite the success of their debut album, Jugoton declined to release the band's second album, stating that it "lacked rebelliousness". The album was rereleased by Hi-Fi Centar and VTC Wien on CD in 1999. The album featured a few guest musicians: Branislav "Banana" Petrović on harmonica, producer Kojić played organ, and Branislav Trivić played saxophone. The album was recorded at the O Studio in Belgrade on June 1984 and the album cover was designed by Antonijević.
Demo versions of the songs "Hiljadu godina" ("A Thousand Years") and "Večeras" ("Tonight") were often broadcast on Serbian radio stations, and the newly recorded versions of the songs were released as their first single.įor the release of the band's first album, Partibrejkers I (Partybreakers I), produced by Dušan "Koja" Kojić of Disciplina Kičme, the band combined rhythm-and-blues with punk rock, bringing anthem status to the band's songs "Ulični hodač" ("Street Walker"), "Ona živi na brdu" ("She Lives on a Hill"), "Gubitnik" ("Loser"), "Ako si." ("If You Are.") and "Stoj, Džoni" ("Stop, Johnny"), a cover of Tomi Sovilj i Njegove Siluete version of Chuck Berry's "Johnny B.
The band's first recording, the song "Radio Utopia", was released on the Ventilator 202 compilation in 1983 by PGP-RTB. After the appearance, the band started performing often and on one occasion, in Zagreb, they held five concerts in three days time, Branimir "Johnny" Štulić was the sound engineer at the last concert, and even offering to be the band's producer. They had their first public appearance on October 4, 1982, at the Dadov Theatre, performing as an opening act for The Fifties.
Bulatović named the band after Kostić's idea of themselves, a transliterated version of party-breakers. Ashes You Leave - Passage back to lifeĤ5.The band was formed by a former Urbana Gerila and Radnička Kontrola member, Zoran "Cane" Kostić (vocals), former Republika members Goran "Manza" Bulatović (drums) and Ljubiša "Ljuba" Kostadinović (guitar) and former BG5, Butik and Šine member Nebojša "Anton" Antonijević (guitar). Denis & Denis - Program tvog kompjuteraĤ4. En Face & Damir Urban - S dlana Boga pala siġ3. godine do danas.ĥ0 najboljih Ri Rock pjesama (1979.-2007.):ħ. Ovo je naš (dijelom i vaš zahvaljujući brojnim e-mailovima) odabir od ukupno 50 žanrovski raznovrsnih pjesama riječkih glazbenika od 1979. Tumačenja ”kako, zašto, da li, gdje.” ostavljamo otvorena - možda i vas ponuka da i vi napravite neku svoju, drugačiji ili sličnu, top-listu najboljih pjesama Ri rocka. Nije bilo lako, ali bilo je svakako zanimljivo ”krojiti” ovu, priznajemo subjektivnu, top-listu ”Najbolje pjesme riječkog rocka” - rezultati dvotjednog promišljanja su pred vama. općem dojmu (tekst, glazba, aranžman, društveni kontekst, interpretacija na snimci i na koncertima itd.).
U ovom odabiru koji obuhvaća gotovo tri desetljeća glazbe u Rijeci ne radi se samo o najboljim tekstovima već - o najboljim pjesmama prema tzv. Princip odabira bio je ”jedan izvođač - jedna pjesma”, što je u nekim slučajevima izazvalo mnoštvo nedoumica našeg omanjeg redakcijskog tima - primjera radi, katalog Damira Urbana, obje postave Parafa i Leta3 uistinu su nas stavili pred teške dvojbe - koju pjesmu od mnoštva vanserijskih uradaka izdvojiti? Ponukani e-mailovima čitetelja magazina i čestim zahtjevima za raznim RiRock pjesmama koji se se nakupili u ove tri godine, napravili smo, uz nezaobilazna žestoka redakcijska polemiziranja, top listu od 50 najboljih pjesama riječke rock scene od njenih najranijih dana do našeg vremena. Naravno, drugačija pravila vrijede kada se priča o prodaji albuma, posjećenosti koncerata, prodaji karata i sličnim ”opipljivim” pitanima - no, ovdje to nije slučaj. Čini se da je publici (kao i glazbenicima i medijima) u prirodi da, ravnajući se prema ”feelingu”, svako-toliko sastavljaju razne ”best of” liste. No, ipak se u svijetu popularne kulture gotovo svakodnevno susrećemo s raznim top-listama ovakve ili onakve tematike. U glazbi ne postoji neki univerzalni ”glazbometar” kao niti u rocku ”rockometar” da bismo mogli izmjeriti i, barem približno, egzaktno potkrijepiti tko je najbolji glazbenik a tko ”najveći rocker”. TOP 50 - Najbolje Ri Rock pjesme svih vremena
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